Prints > Amsterdam Redux

2018-2021

This series of etchings was inspired by a trip to Europe and an extended stay in Amsterdam. A contemplation of how methods of communication have evolved over 40 years, from handwritten letters, to email, to websites. I’m also interested in the contrast of etching vs. drypoint mark-making on zinc plates. And using one etching plate as the basis for a variety of images.

Etching and chine-collé of a red tulip superimposed over hand-written love letter, with windmills and Dutch landscape.
Etching, chine-collé
9 x 9 "
2018
Etching and chine-collé of a red rose with email text.
Etching, chine-collé
9 x 9 "
2018
Etching of canal houses and chine-collé of a poppy incorporated with a handwritten letter.
Etching, watercolor, gouache
9 x 9 "
2020
Sunflower in a landscape of Kentucky mountains and flat Dutch countryside.
Etching, watercolor
9" x 9"
2020
Amsterdam: Redacted
Etching, chine-collé, inkjet photo
9 x 9 "
2019
Amsterdam: an etching of canal houses with a large tulip in the foreground, by Carole Winters.
Etching, watercolor, gouache
9 x 9 "
2020
Amsterdam: In the Vondelpark
Etching, chine-collé, inkjet photo
9 x 9 "
2020
The Death of The Muse
Etching, chine-collé, inkjet photo, watercolor
9 x 9 "
2020